Svastika's

Meenakari Collection

The Jaipur enamel craft: colour worked into engraved metal and fired to glass. Peacocks, elephants and camels in jewel colours that do not fade like paint.

Authentic & True7 Days Easy Return
5 products
Decorative Meenakari Elephant Ambari Statue

Decorative Meenakari Elephant Ambari Statue

5.0(1)
₹ 1,799.00₹ 2,299.00
Decorative Meenakari Elephant Statue

Decorative Meenakari Elephant Statue

5.0(1)
₹ 1,349.00₹ 1,699.00
Graceful Meenakari Camel Decor Statue
Meenakari Horse Statue for Home

Meenakari Horse Statue for Home

₹ 1,949.00₹ 1,999.00
Vibrant Meenakari Parrot Statue for Home (3 Inch)
Before you bring one home

Choosing & placing your murti

Where it belongs

Face the murti east or north-east in a clean, quiet corner of your home mandir, raised a little above the floor.

Choosing the size

Pick a height that suits your altar — a 4–6 inch murti sits beautifully on most home mandirs, while taller pieces anchor a dedicated pooja room.

Kept with care

Wipe gently with a soft, dry cloth. Keep away from water and harsh polish — the finish keeps its lustre for years with a light touch.

  • Handmade in IndiaOne karigar, start to finish
  • 7-day easy returnsSafe-arrival guarantee
  • Cash on deliveryPan-India, insured courier
  • Blessed before dispatchPran-pratishtha pooja done
A short guide

Meenakari work

Read full guide Show less

Meenakari is enamel on metal: coloured mineral enamel worked into an engraved metal surface, fired at high heat so it fuses to glass, then polished back so the colour sits flush and jewel-bright. It is one of the great decorative crafts of Rajasthan, most associated with Jaipur, and it is among the most labour-intensive finishes we sell. This collection is meenakari animal figures, the peacock, elephant, camel, horse, tortoise and parrot.

Why it costs what it costs

Worth understanding, because meenakari sits above plain brass on price and the reason is in the making. Each colour is a separate application, and each is fired separately, since different mineral colours mature at different temperatures. A multi-colour piece goes through the kiln repeatedly, and the engraving that holds the enamel is cut by hand first. The depth and the way the colours catch light are the result of that layering. A printed or painted imitation, which exists, is flat by comparison and does not survive handling the same way.

The pieces

All decorative figures rather than ritual objects. The peacock is the signature form, the tail giving the enamel the most room to show. Elephants, plain and with the Ambari howdah, in several sizes. Camel and horse, handsome craft objects rather than symbolic ones. The tortoise and parrot, smaller pieces. These sit on a console, a shelf or a mantel and are bought for the colour and the craft, not for worship.

For the same animal forms in solid or plated metal, see brass elephant and animal statues.

The one care rule

Meenakari is enamel, which is glass, so it is beautiful and it is fragile in a specific way. Wipe dry only, and never scrub or use any paste. A cleaning paste, an abrasive cloth or a metal polish will scratch or dull the enamel, and a chip in fired enamel cannot be filled. A soft dry cloth is the entire routine. Keep the piece where it will not be knocked, since the enamel chips at an edge if it takes a hard tap against a hard surface.

Kept sensibly, the colour does not fade. Fired enamel is far more stable than paint, which is much of the point of the craft.

As a gift

Meenakari is a strong gift because it reads as craft and colour at once, and it does not require the recipient to be religious, since these are decorative objects. It suits a housewarming, a wedding and corporate gifting where you want something recognisably Indian and handmade. See griha pravesh and housewarming gifts, wedding gifts and corporate gifts, or the bulk order enquiry page. For the wider decorative range, home decor and showpieces for the living room.

Before you order

  • Wipe dry only. Never scrub, never a paste. Enamel chips cannot be filled.
  • Keep it where it will not be knocked against a hard edge.
  • These are decorative figures, not ritual objects.
  • The colour is fired enamel and does not fade like paint.
✦ Questions, carefully answered

The small things you wondered about

Enamel on metal: coloured mineral enamel worked into an engraved metal surface, fired at high heat so it fuses to glass, then polished back so the colour sits flush and jewel-bright. It is one of the great decorative crafts of Rajasthan, most associated with Jaipur.
The making. Each colour is applied and fired separately, since different mineral colours mature at different temperatures, so a multi-colour piece goes through the kiln repeatedly, over engraving that is cut by hand first. The depth and the way the colours catch light are the result of that layering. A printed imitation is flat by comparison.
Wipe dry only. Never scrub, and never use a paste, an abrasive cloth or a metal polish, all of which scratch or dull the enamel. A soft dry cloth is the entire routine. A chip in fired enamel cannot be filled, so keep the piece where it will not be knocked against a hard edge.
No, not if kept sensibly. Fired enamel is far more stable than paint, which is much of the point of the craft. The colour is glass, not pigment on the surface.
Decoration. These are decorative figures, the peacock, elephant, camel, horse, tortoise and parrot, bought for the colour and the craft. They sit on a console, a shelf or a mantel rather than in a mandir.
A strong one, because it reads as craft and colour at once and does not require the recipient to be religious. It suits a housewarming, a wedding and corporate gifting where you want something recognisably Indian and handmade.
Real fired enamel has depth and a slight unevenness where the colour sits in hand-cut engraving, and it catches light like glass. A printed or painted imitation is flat and uniform, and it wears at the edges with handling in a way fired enamel does not.
Still curious? See all FAQs →