A chowki is the low seat a murti stands on. It keeps the deity off the shelf surface, which is partly practical, since the altar is where oil and ash and flower water collect, and partly a matter of respect, because in most households a deity is not set down directly on the floor or the shelf. It is also the piece of a mandir people forget to buy and then need on the morning of a festival.
The rule is that the seat is sized to the idol, not to the space available. Leave a margin on all four sides so the base is fully carried and nothing overhangs, but not so much that the seat becomes the thing you look at. Too small and the murti reads as precarious. Too large and the deity looks borrowed from a bigger altar.
Measure the top surface rather than the overall footprint. A chowki often flares out at the base, so a seat described by its widest dimension can offer noticeably less usable top, and the difference is usually exactly the amount you needed. On the idol, measure the widest point of the base rather than the height, because a Ganesha on a spread lotus or a Devi with a broad crown takes more room than its height suggests.
As a working guide: five inches suits a small murti of the kind that sits on a desk or a narrow ledge, six to seven inches carries most home mandir idols, and nine inches is right for a mid-size figure or for two or three small ones sharing a seat.
Brass or the pearl finish, and water decides it
Two things choose between them, and neither is taste. The first is weight. A heavy metal idol wants a seat that will not shift under it, and that means brass. A light plated or marble dust figure sits happily on a decorative seat and would look overbuilt on a metal one.
The second is water, and this is the part worth reading twice. If you perform abhishek, the water does not stay on the idol. It runs down and collects on the seat. A brass murti bathed on a decorative seat will spoil the seat long before it marks the idol, and a plated murti should not be bathed at all. Our plated pieces are a resin core with a layer of copper over it and gold or silver electroplated on top, and the copper is the layer that matters, because resin cannot be plated directly and the copper is what the precious metal keys onto. It is also why those pieces are light, why the detail stays crisp at a small size, and why water is what spoils them. If abhishek is part of your daily routine, buy brass for the seat as well as the murti.
Brass itself is metal rather than a plated core, so it takes water without trouble and cleans back indefinitely. It darkens between cleanings, which is surface oxide rather than damage. The castings are hollow inside, which the listings state plainly, so a brass chowki weighs less than a solid block of the same size would, while still being far heavier than anything decorative. The white and gold pearl finish is the ornamental end: a lighter seat made for a display piece, which takes a dry cloth and nothing else, no abrasive and no acidic cleaner, and should never be soaked.
Chowki, singhasan, bajot, peetham
One object under many names. Chowki through much of the north, transliterated as chauki or choki as often as not. Singhasan when the seat carries an arched throne back framing the deity, which is a more ceremonial thing than a plain seat. Bajot and patla across the west, peetha or pooja peetham in the south, manai in Tamil households, and pat for the plain low plank. In English people search for a stand or a platform for god idols, which is the same object again.
Mata ki chowki is a gathering, not a seat
Worth separating, because the phrase brings people here who want something else entirely. A mata ki chowki is an evening of devotional singing held for the Devi, at home or in a hall, with singers, a decorated seat for the mata and food afterwards. It is an occasion. The only parts of it you would buy here are the seat the murti or the framed image rests on, and the Devi to put on it. The tent, the singers and the decorator belong to somebody else. If you are hosting one, the return gifts are usually the part that needs ordering ahead of the date, and Navratri gifts is the more useful shelf for those.
What we do not make, said plainly
There is no wooden chowki here, no marble one and no silver one. Nothing reaches twelve inches, so a large Ganesh Chaturthi or Durga Puja installation needs a seat from a maker working at that scale. There are no stepped or tiered chowkis and no chowki bed. What we make is the small to mid range for a home mandir, roughly five to nine inches, in brass and in the white and gold pearl finish.
On price, the pearl seats begin under 500, which is the least we charge for anything at all, and the larger sizes stay under 1,000. Brass runs past 5,000, because it is cast metal and the weight is most of the cost. Under about 200 is a common search and an honest answer is owed: at that budget a plain steel or wooden pat from a local pooja shop is the right buy, not anything here.
Keeping it level
A chowki carries weight, so check it sits flat before you set the murti down. A seat that rocks on an uneven shelf works at its joints over time and will eventually tip whatever is standing on it. A folded piece of cloth under one foot solves it. Wipe underneath as often as you wipe the top, since that is where oil and ash gather and it is the surface nobody looks at.
As a gift, and what arrives
An idol given with its seat is a more finished present than the idol on its own, and it costs little to turn one into the other. It suits Ganesh Chaturthi, Diwali, and a griha pravesh where a family is setting up a mandir from nothing and has thought about the deity but not about what it stands on. Every piece is checked at our own warehouse before it goes out, and everything ships in our own packaging, which is made to be opened rather than merely to survive the journey.
See Ganesh Chaturthi gifts, Diwali gifts and griha pravesh and housewarming gifts; for volume, corporate gifts or the bulk order enquiry page. For what goes on the seat, god idols and brass idols. For the rest of the mandir, pooja essentials, and for a seat doing decorative work outside it, table decor.